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no place for the pictures
The Projector found no way to survive. What killed it?
Sep 1
•
Benjamin Yap
5
June 2025
Cinematic Alchemy with Chantal Akerman
With our shredded attention spans, what can the works of Chantal Akerman offer us even when they always feel so difficult to sit through?
Jun 13
•
Benjamin Yap
5
April 2025
Ghibli Park, Aichi: Cinema Orion
The wonderful world of consumerism
Apr 5
•
Benjamin Yap
3
2
March 2025
Adventures in Movie-going – Kyoto
Three cinemas in Kyoto, A Real Pain, Lynch films
Mar 26
•
Benjamin Yap
3
Adventures in Movie-going – Tokyo
A travelogue through a few of Tokyo's cinemas
Mar 7
•
Benjamin Yap
6
2
January 2025
2024 Wrap-up
8784 hours in 3443 words: favourite films, My Brilliant Friend, TV/anime, books, videogames, and a reflection on media consumption
Jan 4
•
Benjamin Yap
3
December 2024
SGIFF35 Recap Part 2
I finish up my recap on 2024's SGIFF35, covering An Unfinished Film, HAPPYEND, No Other Land, Time To Be Strong, and more.
Dec 19, 2024
•
Benjamin Yap
1
SGIFF35 Recap Part 1
Brief thoughts on the films I've been catching at SGIFF35, including Stranger Eyes, All Shall Be Well, By The Stream, and more. Part 2 forthcoming!
Dec 6, 2024
•
Benjamin Yap
2
November 2024
Deconstructing the craft of The Zone of Interest
So, why are you interested in making this?
Nov 12, 2024
•
Benjamin Yap
2
October 2024
Us and The Night
Audrey Lam's film set in a library invites inspection and introspection.
Oct 2, 2024
•
Benjamin Yap
3
September 2024
What I’ve been doing lately 2
A smorgasbord: Gabrielle Zevin's Tomorrow and Tomorrow and Tomorrow; looking back on Double Fine's Psychonauts; revisiting Kubrick; re-reading Marilynne…
Sep 12, 2024
•
Benjamin Yap
4
A boy’s world: notes on “masculine camp” in Helter Skelter (2012)
An exploration of ‘camp’ in a masculine context through Helter Skelter, John Wick, and the “hyper-cool” worlds of Hideo Kojima.
Sep 5, 2024
•
Benjamin Yap
3
2
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